MILLENNIUM FILM JOURNAL


Author Index

A

Aloff, Mindy, "Film Translations of Meredith Monk's Work," 10/11 , pp. 102-06.
Anderson, Dana, "Reflections on the Avant-Garde Experience: A Meditation on Phil Solomon's The Secret Garden," 39/40, 123-127.
Angell, Callie, "Doubling the Screen: Andy Warhol's Outer and Inner Space," 38 , pp. 19-33.
Angerame, Dominic, Stan Brakhage Remembrance, 41 pp. 94.
Anker, Steve, "Brakage Reminiscences," 41 pp. 85-86.
Armelagos, Adina, "Yoshiko Chuma: Knocking, Chomping, and Bumping," 10/11 , pp. 28-32.
Arthur, Paul, "Between the Place and the Act: Efpsychi ," 32/33 .
Arthur, Paul, "History and Crass Consciousness: George Kuchar's Fantasies of Ur-power," 20/21 pp.151-58.
Arthur, Paul, "Homeward Bound: Notes and Musings on Jonas Mekas's As I Was Moving Ahead Occasionally I Saw Brief Glimpses of Beauty," 38 , pp. 35-49.
Arthur, Paul, "The Last of the Last Machine?: Avant-Garde Film Since 1966," 16/17/18 , pp.69-93.
Arthur, Paul, "Lines of Sight: A Travelogue," 35/36 , pp. 61-72.
Arthur, Paul, "Structural Film: Revisions, New Versions, and the Artifact," 2 , pp. 5-13.
Arthur, Paul, "Structural Film: Revisions, New Versions, and the Artifact Part Two," 4/5 ,pp. 122-34.
Arthur, Paul, "The Western Edge: Oil of L.A. and the Machined Image," 12 , pp. 8-28.
Arthur, Paul, "Commute by Bruce Baillie," 29
Arthur, Paul, "Warren Sonbert: A Remembrance," 29
Arthur, Paul, Stan Brakhage Remembrance, 41 pp. 82-83.

 
 

B

Baillie, Bruce, Stan Brakhage Remembrance, 41 pp. 81
Balázs, Béla, "Build An International Union of Revolutionary Cinema," trans. Mel Gordon, 4/5 ,pp. 7-13.
Banes, Sally, "Imagination and Play: The Films of Ericka Beckman," 13 , pp. 98-112.
Banes, Sally, "Lives of Performers: Annette Michelson Discusses Acting inJourneys from Berlin," 7/8/9 , pp. 69-84.
Banes, Sally, "Theatre of Operations: Stuart Sherman's Fifteen Films," 10/11 , pp. 87-101.
Barlow, Melinda, "Puppet Noir: On Janie Geiser, 37 pp. 9-15.
Bartone, Richard,"The Forms of Repetition: Larry Gottheim's Four Shadows," 4/5 ,pp. 167-71.
Bartone, Richard, "Notes on Four Films by Rudy Burckhardt," 3 , pp.126-30.
Bartone, Richard, "Three Films by James Broughton and Joel Singer," 2 , pp. 114-16.
Bathrick, David, "Mythologies from the Age of the Golden Heart:Béla Balázs on Film and Literature," 22 ,pp. 16-27. 
Beavers, Robert, "Writings," 32/33 .
Belton, John, "Medieval Modernism: Bunuel's Autobiography," 14/15 ,pp. 29-34.
Berry, Scott, "Size Matters: Microcinemas and Exhibition Spaces," 41 pp. 63-70.
Bershen, Wanda, "Report from Philadelphia," 7/8/9 , pp. 230-33.
Biermann, Gregg and Sarah Markgraff, "Nathaniel Dorsky's Variations and Theme," 35/36 , pp. 109-114.
Binkley, Timothy, "Camera Fantasia: Computed Visions of Virtual Realities," 20/21 , pp. 6-43.
Binkley, Timothy, "Postmodern Torrents: Review of Margot Lovejoy's Post-Modern Currents: Art and Artists in the Age of Electronic Media," 23/24 , pp. 130-41.
Biro, Yvette, "In the Spiral of Time," 14/15 , pp. 173-77.
Biro, Yvette, "Landscape During the Battle," 4/5 , pp. 117-21.
Blair, David, "Wax, or the Discovery of Television Among the Bees," 28 , pp. 89-99.
Boddy, William, "The Films of Dave Lee," 6 , pp. 107-10.
Boddy, William, "New York City Confidential: An Interview with Eric Mitchell," 7/8/9 , pp. 27-36.
Boddy, William and Jonathan Buchsbaum, "Cinema in Revolt: Newsreel," 4/5 , pp. 43-52.
Bold, Alf, "Displaced Persons: Dan Eisenberg Interviewed," 27 , pp. 48-63.
Bonet, Eugeni, "There is an Independent Cinema in Spain, But...," 2 , pp. 59-73.
Bordwell, David, "Narration and Scenography in the Later Eisenstein," 13 , pp. 62-80.
Boyle, Deirdre, "Meanwhile Somewhere: A Conversation with Peter Forgacs" 37 , pp.53-66.
Boyle, Deirdre, "Video and the Afterlife? Millenial Thoughts on an Art Medium," 35/36 , pp. 73-80.
Brakhage, Stan, "Gertrude Stein, Meditative Literature, and Film," 25 , pp. 100-107.
Brakhage, Stan, "Stan Brakhage at Millennium: November 4, 1977," 16/17/18 , pp. 297-307.
Brauerhoch, Annette, "Stray Dogs," 30/31 , pp. 67-70.
Breer, Emily, "Dog, Pope, and Joe," 26 , pp. 68-77.
Brender, Richard, "The Quiet One: Lyric Poetry of the Fair Deal," 13 , pp. 81-97.
Brinckmann, Christine Noll and Grahame Weinbren, "An Instant of Representation in a Film by Vincent Grenier," 7/8/9 , pp. 273-78.
Brinckmann, Christine Noll and Grahame Weinbren, "The O'Neill Landscape: Four Scenes from Foregrounds ," 4/5 , pp. 101-16.
Brinckmann, Christine Noll and Grahame Weinbren, "Selective Transparencies: Pat O Neill's Recent Films," 6 , pp. 51-72.
Brinckmann, Noll, "The Art of Programming: An Interview with Alf Bold, July 1989," 23/24 , pp. 86-100.
Brinckmann, Noll C., "Collective Movements and Solitary Thrusts," 30/31 , pp. 95-117.
Broderick, Peter, "Since Cinema Expanded: Interview with Gene Youngblood," 16/17/18 , pp.55-66.
Brooks, Virginia, "Film, Perception, and Cognitive Psychology," 14/15 , pp. 105-26.
Bruno, Guiliana, "From Public Virtue to Private Vice: Notes on Italian Independent Cinema," 13 , pp. 36-45.
Bruno, Guiliana, "Women in Avant-Garde Film: An Interview with Annette Michelson," 16/17/18 , pp.141-48.
Buchsbaum, Jonathan, "Canvassing the Midwest," 7/8/9 , pp. 218-29.
Buchsbaum, Jonathan, "Composing for Film: The Work of Bill Brand," 3 , pp. 55-61.
Buchsbaum, Jonathan, "Independent Film and Popular Culture: Films of J. Hoberman," 6 , pp. 111-16.
Buchsbaum, Jonathan, "Peter Wollen: In Search of Political Film," 14/15 , pp. 61-71.
Buchsbaum, Jonathan, "Sleepless Nights," 10/11 , pp. 168-70.
Buitenhuis, Penelope, "Safe But Not Sound: The Toronto International Experimental Film Congress," 23/24 , pp. 48-51.
Burris, Jon, "Did the Portapak Cause Video Art? Notes on the Formation of New Medium." 29

 
 

C

Cameron, Andrew, "Dissimulations: The Illusion of Interactivity," 28 , pp. 33-47.
Cameron, Andrew, "The Future of An Illusion," 28 , pp. 3-4.
Camper, Fred, "The End of Avant-Garde Film," 16/17/18 , pp. 99-124.
Camper, Fred, "Film: The Front Line," 14/15 , pp. 48-56.
Carman, James, "Outsider's Overture," 30/31 , pp. 73-75.
Carroll, Noel, "Amy Taubin's Bag," 12 , pp. 68-78.
Carroll, Noel, "Art, Film, and Ideology," 13 , pp. 120-32.
Carroll, Noel, "Avant-Garde Film and Film Theory," 4/5 , pp. 135-43.
Carroll, Noel, "A Brief Comment on Frampton's Notion of Metahistory," 16/17/18 , pp. 200-05.
Carroll, Noel, "The Cabinet of Dr. Kracauer," 2 , pp. 77-85.
Carroll, Noel, "Causation, the Ampliation of Movement, and Avant-Garde Film," 10/11 , pp. 61-82.
Carroll, Noel, "Entr'acte, Paris and Dada," 1 , pp. 5-11.
Carroll, Noel, "Hans Richter's Struggle for Film," 19 , pp. 104-12.
Carroll, Noel, "Identity and Difference: From Ritual Symbolism to Condensation in Inauguration of the Pleasure Dome ," 6 , pp. 31-42.
Carroll, Noel, "Interview with a Woman who...," 7/8/9 , pp. 37-68.
Carroll, Noel, "Language and Cinema: Preliminary Notes for a Theory of Verbal Images," 7/8/9 , pp. 186-217. 
Carroll, Noel, "Medium Specificity Arguments and Self-Consciously Invented Arts: Film, Video, and Photography," 14/15 , pp. 127-53.
Carroll, Noel, "Moving and Moving: From Minimalism to Lives of Performers," 35/36 pp. 81-88.
Carroll, Noel, "Toward a Theory of Film Editing," 3 , pp. 79-99.
Carter, Peter, "Ernie Gehr's Cotton Candy," 39/40, pp. 129-131.
Cartwright, Lisa and Peter Gidal, "Rose Lowder's Composed Recurrence," 16/17/18 , pp. 176-79.
Casebier, Allan, "Ideology and the Image," 13 , pp. 116-19.
Casebier, Allan, "To the Distant Observer," 14/15 , pp. 35-41.
Caws, Mary Ann, "For a Cinema of the Central Eye," 1 , pp. 25-37.
Charles, Daniel, "Bringing Ryoan-ji to the Screen," 38 , pp. 65-72.
Child, Abigail, "Before Agreement," 22 , pp. 130-32.
Chin, Daryl, "The Future of an Illusion(ism): Notes on the New Japanese Avant-Garde Film," 2 , pp. 86-94.
Chodorov, Pip, "The Wild East: An Interview with Peter Zorn," 30/31 , pp. 63-65.
Chomont, Tom, Contribution, "Radical Form: Radical Content," 22 , pp. 124-26.
Chomont, Tom, "Silvery Circles: An Interview with Caspar Stracke," 30/31 , pp. 29-30.
Chong, Ping, "Performance and Film: A Statement," 10/11 , pp. 83-86.
Cohen, Phoebe, "Brakhage's I, II, III," 7/8/9 , pp. 234-37.
Cohen, Phoebe, "Brakhage's Sincerity III," 4/5 , pp. 153-56.
Cook, Scott, "Peter Campus at the Whitney," 2 , pp. 119-22.
Cook, Scott, "Valse Triste and Mongoloid," 7/8/9 , pp. 248-52.
Copjec, Joan, "Crystal Gazing: Seeing Red," 13 , pp. 31-35.
Copjec, Joan, "D'Asparagus," 7/8/9 , pp. 238-41.
Cornwell, Regina, "Obituary for Paul Sharits," 27 , pp. 78-79.
Cubitt, Sean, "Cartographic Instruments, Narcissist Illusions, Regimes of Realism in CGI," 34 , pp. 44-65.

 
 

D

Davidson, David, "Myths and Texts: Joanna Kiernan's Dream Work," 10/11 , pp. 204-09.
Davidson, David, "Warren Sonbert's Noblesse Oblige," 12 , pp. 109-12.
Davis, Melody, "Fernand Léger's Ballet Mécanique and the Culture of Fetishization," 28 , pp. 109-121.
De Beaulieu, Susan Chales, "Nomad's Land," 30/31 , pp. 35-38.
Debevoise, Clay, "Mirror Spaces: A Review of VIDEO SPACES: Eight Installations," 29 , pp. 69-78.
Deck, Andy, "Curatorial Algorithms: Malleable Aesthetics," 34 , pp. 82-91.
De Landa, Manuel, "Real Time," 20/21 , pp. 66-76.
De Landa, "Urban Growths, Drawings and Software," 20/21 , pp. 58-65.
Del Tredici, Robert, "Critics, Accountants, and Dreams: Interview with Sidney Peterson about The Lead Shoes ," 27 , pp. 64-75.
Doane, Mary Ann, "The Retreat of Signs and the Failure of Words: Leslie Thornton's Adynata," 16/17/18 , pp. 151-57.
Dozoretz, Wendy, "Films of Martha Haslanger," 3 , pp. 119-21.
Dozoretz, Wendy, "Robert Nelson's Suite California Stops and Passes," 4/5 , pp.160-63.

 
 

E

Eisenstein, Sergei and Sergei Tretyakov, "Expressive Movement, trans. Alma H. Law," 3 , pp. 30-38.
Elder, Bruce, Stan Brakhage Remembrance, 41 pp. 87.
Elder, Kathryn, "Stan Brakhage: A "Quiller" Man," 41 , pp. 83-84.
Elder, Kathryn, "Report from Toronto," 10/11 , pp. 176-80.
English, David, "Films by Paul Winkler," 2 , pp. 117-18.
English, William, "Three Aspects of French Experimental Film: Interviews with Yann Beauvais, Rose Lowder, and Alain-Alcide Sudre," 23/24 , pp. 102-16.
Epstein, Jean, "Cine-Mystique," trans. Stuart Liebman, 10/11 , pp. 191-93.
Estevez, Sue Ann, "Bruce Baillie's Roslyn Romance (Is It Really True?)," 4/5 , pp. 164-66.
Estevez, Sue Ann, "George Landow's Marriage Broker Jokes," 10/11 , pp. 200-03.

 
 

F

Fischer, Lucy, "The Films of James Sibley Watson, Jr., and Melville Webber: A Recnnsideration," 19 , pp. 40-49.
Fischer, Lucy, "Rabbit's Moon: The Pierrot Figure in Theater, Painting, and Film," 10/11 , pp. 123-39.
Fischer, Lucy, "Xala: A Study in Black Humor," 7/8/9 , pp. 165-72.
Fischer, Lucy, and Bill Judson, "Independent Film in Pittsburgh," 3 , pp. 100-08.
Fleming, Ann Marie, "Text for You Take Care Now," 25 , pp. 10-13.
Flitterman, Sandy and Jonathan Rosenbaum, "New York Nights: An Interview with Jackie Raynal," 7/8/9 , pp. 85-94.
Foreman, Richard, "Stuart Sherman," 38 ,p. 80.
Frampton, Hollis, "A Letter to Brakhage," 16/17/18 , pp. 212-13.
Frampton, Hollis, "Three Talks at Millennium," ed. Tony Pipolo, 16/17/18 , pp. 274-94.
Frazer, John, "Cubism and the Cinema of Georges Méliès," 19 , pp. 94-102.
Fredericksen, Don, "Jerome Hill's Film Portrait," 35/36 , pp. 89-106.
Friends and Colleagues Remembering Marjorie Keller, with contributions by Paul Arthur, Mary Cappello, Su Friedrich, Don Kunz, Ann Steuernagel, and Barbara Wunderer-Selby, 28 , pp. 62-77.
Friedberg, Anne, "Approaching Borderline," 7/8/9 , pp. 130-39.
Friedberg, Anne, "Misconception=The Division of Labor in The Childbirth Film," 4/5 , pp. 64-70.
Friedman, Bernard, "The EFC Arrives: A National Coalition of Experimental Filmmakers," 14/15 , pp. 178-80.
Friedman, Lester D., "An Interview with Peter Wollen and Laura Mulvey on Riddles of the Sphinx," 4/5 , pp. 14-32.
Friedrich, Su, Contribution, "Radical Form: Radical Content," 22 , pp. 118-23.
Frye, Brian, "Avant-Garde Film Diary," 39/40, pp. 101-109.
Frye, Brian, John Smith Interview, 39/40 pp. 33-49.
Frye, Brian, "Scott MacDonald's Cinema 16: Documents Toward a History of the Film Society," 42 pp. 87-90.

 
 

G

Gehman, Chris, "Stateless," 30/31 , pp. 31-34.
Gidal, Peter, "British Avant-Garde Film," 13 , pp. 12-18.
Gidal, Peter, "Talk at Millennium," 2 , pp. 14-22.
Goldberg, Gary, "Script, Production Notes, and Drawings for Plates," 25 , pp. 14-17.
Gordon, Mel, "German Workers' Films 1919-32: Some Thoughts About the Red Front in Film," 4/5 , pp. 5-6.
Gordon, Mel and Alma H. Law, "Eisenstein's Early Work in Expressive Behavior: The Montage of Movement," 3 , pp. 25-29.
Gottheim, Larry, "Sticking in/to the Landscape," 4/5 , pp. 84-92.
Grauer, Victor, "Brakhage and the Theory of Montage," 32/33 .
Grindon, Leger, "The Films of Peter Hutton," 4/5 , pp. 175-78.
Gschwandter, Sabrina, "Between Film and Video-The Intermedia Art of Jud Yalkut: An Interview with Jud Yalkut," 42 pp. 71-84.
Gunning, Tom, "The Critique of Seeing with One's Own Eyes: Ernie Gehr's Untitled (1976)," 12 , pp. 134-36.
Gunning, Tom, "Doctor Jacobs' Dream Work," 10/11 , pp. 210-18.
Gunning, Tom, "Obscure Genealogies: Sitney's Modernism of Vision: Review of Modernist Montage by P. Adams Sitney," 26 , pp. 78-87.
Gunning, Tom, "Signaling through the Flames: Ernie Gehr's Signal-Germany on the Air," 16/17/18 , pp. 169-73.
Gurian, Andrew, "Thoughts on Shirley Clarke and the TP Videospace Troupe,' 42 pp. 5-31.
Guttenplan, Howard, Stan Brakhage Remembrance, 41 pp. 94-95.

 
 

H

Hagan, John, "Cinema and the Romantic Tradition," 1 , pp. 38-51.
Hagan, John, "Through Cinema to Cinema: A Conversation with Richard Foreman," 3 , pp. 5-24.
Hallas, Roger, "The Resistant Corpus: Queer Experimental Film and Video and the AIDS Pandemic," 41 pp. 53-60.
Hallensleben, Silvia, "Die Statik der Eselsbrucken," 30/31 , pp. 43-47.
Haller, R. A., "Amy Greenfield," 6 , pp. 103-06.
Haller, R. A., "Obituary for Ed Emshwiller," 23/24 , p. 36.
Hammer, Barbara, "Risk-Taking as Alternative Living/Art-Making, or Why I Moved to the Big City," 22 , pp. 127-29.
Hampton, Julie, "An Interview with Ken Jacobs," 32/33
Hanhardt, John, "Obituary for Juan Downey," 27 , p. 80.
Hanlon, Lindley, "Arson: A Review of Otherwise Unexplained Fires by Hollis Frampton," 4/5 , pp. 157-59.
Hanlon, Lindley, "Collision Course: Ken Kobland's Optical Prints," 7/8/9 , pp. 253-59.
Hanlon, Lindley, "Female Rage: The Films of Su Friedrich," 12 , pp. 79-86.
Hanlon, Lindley, "LendWitt/Childs/Glass: Film/Dance/Music," 10/11 , pp. 43-54.
Hanlon, Lindley, "Recycling Cinema: Urban Peasants by Ken Jacobs," 6 , pp. 117-20.
Hanlon, Lindley, "Sensuality in Charmed Particles:Part IV of The Adventures of the Exquisite Corpse, a Film by Andrew Noren," 3 , pp. 109-12.
Hanlon, Lindley and Tony Pipolo, "Interview with Ken and Flo Jacobs," 16/17/18 , pp. 26-53.
Hardy, Ernest, "Young Soul Rebels: Negro/Queer Experimental Filmmakers," 41 pp. 23-29.
Hatfield, Jackie, "Expanded Cinema and Narrative," 39/40  pp. 51-65.
Hein, Birgit, "The Avant Garde and Politics," 2 ,pp. 23-28.
Higgins, Gary, Rodrigo Garcia Lopes, and Thomas Connick, "Grisled Roots: An Interview with Stan Brakhage," 26 , pp. 56-66.
Hill, Chris, "(Re)performing the Archive: Barbara Lattanzi & Hollis Frampton in Dialogue," 39/40 pp. 67-81.
Hindle, Will,"Letter to Dominic Angerame," 19 , pp. 8-11.
Hoberman, J., "Ernie Gehr's Geography," 3 , pp. 113-14.
Hoberman, J., "Notes on Three Films by Vivienne Dick," 6 ,pp. 90-94.
Hoolboom, Mike, "Amateur Trash Films: An Interview with Torsten Alisch," 30/31 , pp. 49-52.
Hoolboom, Mike, "The Death Dances of Michael Brynntrup," 30/31 , pp. 39-42.
Hoolboom, Mike, "Femme Fatale: The Films of Claudia Schillinger," 30/31 , pp. 59-62.
Hoolboom, Mike, "Introduction: How German Is It?," 30/31 , pp. 7-11.
Hoolboom, Mike, "Ladies and Gentlemen, the FBI," 30/31 , pp. 7-11.
Hoolboom, Mike, "Michael Snow's Seated Figures," 22 , pp. 30-36.
Hoolboom, Mike, "Painting the Light Fantastic: Carl Brown," 27 , pp. 16-22.
Hoolboom, Mike, "The Psychotechnology of Everyday Life," 23/24 , pp. 16-24.
Hoolboom, Mike, "The Queen of Disaster: Ann Marie Fleming," 26 , pp. 26-32.
Hoolboom, Mike, "Scattering Stars: The Films of Matthias Muller," 30/31 , pp. 81-88.
Horn, Lawrence, "On Video and Its Viewer," 14/15 , pp. 155-64.
Horn, William, "Image/Object, Video/Text: Gary Hill at the Guggenheim," 29
Hubbard, Jim, Contribution, "Radical Form: Radical Content," 22 , pp. 133-35.
Hubbard, JIm, "Introduction: A Short, Personal History of Lesbian and Gay Experimental Cinema," 41 pp. 5-12.

 
 

I

Iimura, Taka, "On Film-Installation," 2 , pp. 74-76.
Iimura, Takahiko, "A Note for MA: Space/Time in the Garden of Ryoan-ji," 38 , pp. 51-63.

 
 

J

Jacobs, Ken, "Letter to Phil Solomon" & "Statement Spoken at A.M.M.I. & Millennium Memorials," 41 pp. 88-89.
James, David, "inTerVention: The Contexts of Negation for Video and Video Criticism," 20/21 , pp. 46-54.
James, David, "An Interview with Pat O'Neill," 30/31 , pp. 119-131.
James, David, "Peregrinations of the Avant Garde: The Chelsea Girls Go to Russia," 38 , pp. 9-18.
James, David,"Towards a Radical, Popular Cinema: Two Recent Films by Jon Jnst," 4/5 , pp. 71-83.
James, David, Stan Brakhage Remembrance, 41 pp. 81-82.
Jamieson, Dale, "Rocky Mountain Formalism: Avant-Garde Film in Colorado," 12 , pp. 29-35.
Janetzko, Christoph, "Sisom," 30/31 , pp. 71.
Janetzko, Christoph and Dorothee Wenner, "Storyboards for Hollywood Killed Me," 25 , pp. 18-23.
Jarvie, Ian, "Visible Fictions," 14/15 , pp. 57-60. 
Jenkins, Bruce, "Gently Down the Stream," 16/17/18 , pp. 195-98.
Jones, Kristin, "Ming Green: The Color of Memory," 32/33 .
Jordan, Larry, "Survival in the Independent Non-Commercial Avant-Garde Experimental Personal Expressionist Film Market of 1982," 12 , pp. 5-7.
Jordan, Larry, "My Travels with Stan," 41 pp. 76.
Jost, Jon, "Notes for Slow Moves," 25 , pp. 25-29.
Jost, Jon, "Out of Context: Some Thoughts on 'Independence'," 23/24 , pp. 2-14.
Jowett, Deborah, "Dune Dance," 10/11 , pp. 23-27.
Jull, Marilyn, "Bruce Elder's Lamentations," 22 , pp. 88-96.

 
 

K

Kaplan, E. Ann,"Appropriating the Heroine: An Analysis of Mulvey's and Wollen's Amy," 12 , pp. 87-96.
Kaplan, E. Ann,"Feminist Approaches to History, Psychoanalysis and Cinema in Sigmund Freud's Dora," 7/8/9 , pp. 173-85.
Kaplan, E. Ann, "Integrating Marxist and Psychoanalytical Approaches in Feminist Film Criticism," 6 , pp. 8-17.
Kaplan, E. Ann, "Night at the Opera: Investigating the Heroine in Sally Potter's Thriller," 10/11 , pp. 115-22.
Kaplan, E. Ann, "Theories and Strategies of the Feminist Documentary," 12 , pp. 44-67.
Kaplan, E. Ann and Jeff Halley, "One Plus One: Ideology and Deconstruction in Godard's Ici et Ailleurs and Comment Ça Va," 6 , pp. 98-102.
Keller, Marjorie, "Women and Film," 14/15 , pp. 43-47.
Kelly, Keith, "Notes for Jerome" 4/5 , pp. 172-74.
Kelly, Keith, "Riddles of the Sphinx: One or Two Things About Her," 2 , pp. 95-100.
Kelly, Keith, "The Sexual Politics of Rosa Von Praunheim," 3 , pp. 115-18.
Kelly, Robert, "Brakhage, Spoken in Memory." 41 pp. 80-81.
Kiernan, Joanna, "Birgit and Wilhelm Hein: From Structural Studies to Now," 6 , pp. 95-97.
Kiernan, Joanna, "Films by Valie Export," 16/17/18 , pp. 181-87.
Kiernan, Joanna, "Two Films by Malcolm Le Grice: Dejeuner Sur L Herbe, After Manet, Giorgione, etc. and Blackbird Descending (Tense Alignment)," 3 , pp. 62-71.
Kobland, Ken, "Storyboards, Plans, and Notes for Frame and Flaubert Dreams of Travel," 25 , pp. 31-35.
Krasilovsky, Alexis, "A Pillow Book of a Woman in Film: Excerpt from Love Morph," 37 , pp. 77-79.
Kreul, James and Ray Privett, "A Cinema of Possibilities: Interview with Brian Frye," 37, pp 27-49.
Kronen, H. B., "From Cimabue to Ctnningham: A Discussion with Richard Lorber," 10/11 , pp. 5-17.

 
 

L

Larson, Ernest, "The Last Days of Pompeii: Louis Hock's Southern California," 12 <, pp. 131-33.
Le Grice, Malcolm, "Some Introductory Thoughts on Gidal's Films and Theories," 13 , pp. 19-30.
Le Grice, Malcolm, "Kismet, Protagony, and the Zap Splat Factor," 28 , pp. 6-12.
Le Grice, Malcolm and Peter Gidal, "Letters," 2 , pp. 50-55.
Le Grice, Malcolm and P. Adams Sitney, "Narrative Illusion vs. Structural Realism, talk ed. by Noel Carroll," 16/17/18 , pp. 309-26.
Levine, Mindy N., "An Interview with Pooh Kaye," 10/11 , pp. 33-42.
Levine, Richard M., "Jack Chambers' Hart of London," 10/11 , pp. 181-85
Liebman, Stuart,"Apparent Motion and Film Structure: Paul SharitsShutter Interface," 2 , pp. 101-09.
Liebman, Stuart, "Introduction to Jean Epstein's 'Cine-Mystique," 10/11 , pp. 186-90.
Liebman, Stuart, "Jean Vigo's A Propos de Nice: A Surrealist City Symphony," 1 , pp. 12-20.
Liebman, Stuart, "Paul Sharits S:TREAM:S:S:ECTION:S:ECTION:S: S:ECTIONED: Paradigm Lost, or Adventures of the Dialectic," 16/17/18 , pp. 190-94.
Liebman, Stuart, "The Presents of Michael Snow," 12 , pp. 97-108.
Liebman, Stuart and David Shapiro, "Surrealism and Cinema: A Conversation with Annette Michelson," 1 , pp. 52-59.
Londo, Barbara, "Remembering Teiji Furuhashi," 29
Lovelace, Carey, "The Gender and Case of Carolee Schneemann," 16/17/18 , pp. 162-68.
Lucier, Mary, "Virtually Real," 28 , pp. 101-107.
Lynch, Joan Driscoll, "Book of Days, An Anthology of Monkwork," 23/24 , pp. 38-47.

 
 

M

MacDonald, Scott, "Cinema Before Film: Review of The Shows of Londonby Richard D. Altick," 23/24 ,pp. 142-53.
MacDonald, Scott, "Film and Performance: An Interview with Carolee Schneemann," 7/8/9 , pp. 95-114.
MacDonald, Scott, "The Millennium After Twenty Years: An Interview with Howard Guttenplan," 16/17/18 , pp. 9-24.
MacDonald, Scott, "Plumb Line," 10/11 , pp. 111-14.
MacDonald, Scott, "Rose Lowder Interviewed," 30/31 , pp. 133-148.
MacDonald, Scott, Peggy Ahwesh Interview, 39/40 pp. 1-30.
Manovich, Lev, "Database as a Symbolic Form," 34 , pp. 24-43.
Marchetti, Gina and Keith Tishken,"An Interview with Scott B. and Beth B.," 10/11 , pp. 158-67.
Margolis, Joseph, "Film as a Fine Art," 14/15 , pp. 89-104.
Markgraff, Sarah and Gregg Biermann, "Nathaniel Dorsky's Variations and Theme," 35/36 , pp. 109-114.
Markopoulos, Gregory J., "The Intuition Space," 32/33 .
Marks, Laura U., "Caspar Stracke's Speaking Silents," 30/31 , pp. 25-28.
Marks, Laura, "Nonorganic Subjectivity, or Our Friend the Electron," 34 , pp. 66-81.
McCall, Anthony and Andrew Tyndall, "Sixteen Working Statements," 2 , pp. 29-37.
Mekas, Jonas, Stan Brakhage Remembrance, 41 pp. 92-93.
MFJ Editors, "Reply to Prof. Sitney," 7/8/9 , p. 281.
Moritsugu, Jon,"Plans for Der Elvis ," 25 , pp. 37-41.
Muller, Matthias, "Cinema of Difference," 30/31 , pp. 3-6.
Murphy, J. J., "Reaching for Oblivion," 3 , pp. 122-25.

 
 

N

Nadaner, Dan, "Metatourist in Metaworld: Patricia Gruben's Sifted Evidence," 19 , pp. 114-19.
Norden, Martin F., "The Use of Sound in Francis Thompson's N.Y., N.Y.," 10/11 , pp. 219-22.
Noguez, Dominique, "The Experimental Cinema in France," 2 , pp. 56-58.
Noguez, Dominique,"Towards Irreference: American Avant-Garde Film of the Sixties From the Triumph of the Signified to the Rise of the Signifier," 19 , pp. 22-37. 
Nosowitz, Harvey, "View of Chicago," 12 , pp. 36-43.

 
 

O

Oishi, Eve, "Bad Asians, the Sequel: Continuing Trends in Queer API Film and Video," 41 pp. 33-41.
O'Neill, Pat, "Notes for Water and Power," 25 , pp. 43-49.
Organizers of the Second New York Lesbian and Gay Experimental Film Festival, Opening Statement, "Radical Form: Radical Content, a Panel Discussion," 22 , p. 117.

 
 

P

Pelizziari, Maria Antonella, "Experiencing Bill Viola's Burried Secrets," 29
Perlmutter, Ruth, "Visible Narrative, Visible Woman," 6 , pp. 18-30.
Peterson, Richard, "The Films of Linda Klosky," 4/5 , pp. 179-83.
Peterson, Vicki, "Two Films by Chick Strand," 2 , pp. 110-13.
Pipolo, Tony, "Anita Thacher's Sea Travels," 12 , pp. 121-25.
Pipolo, Tony, "Ernie Gehr: For Daniel,," 34 , pp. 92-94.
Pipolo, Tony,"The Films of Leandro Katz," 7/8/9 , pp. 265-72.
Pipolo, Tony, "An Interview with Robert Beavers," 32/33 .
Pipolo, Tony, "Making Antigone/Rites of Passion: An Interview with Amy Greenfield," 26 , pp. 34-55.
Pipolo, Tony, "Metaphorical Structures in La Passion de Jeanne d Arc," 19 , pp. 52-84.
Pipolo, Tony, "Ruskin: A Film by Robert Beavers," 32/33 .
Pipolo, Tony and Grahame Weinbren, eds., "A Montage of Voices: Twenty Years of Filmmakers Statements," 16/17/18 , pp. 250-73.
Pipolo, Tony and Lindley Hanlon, "Interview with Ken and Flo Jacobs," 16/17/18 , pp. 26-53.
Pipolo, Tony, "Riding with Stan," 41 pp. 84-85.
Porton, Richard, "Review of David James' Allegories of Cinema," 25 , pp. 114-20.
Privett, Ray and James Kreul, "A Cinema of Possibilities: Interview with Brian Frye," 37 , pp. 27-49.
Pruitt, John, "The Untutored Eye by Marjorie Keller," 28 , pp. 79-85.

 
 

R

Rainer, Yvonne, "Beginning With Some Advertisements For Criticisms Of Myself, Or Drawing The Dog You May Want To Use To Bite Me With, And Then Going On To Other Matters," 6 , pp. 5-7.
Rainer, Yvonne, "Script Pages and Production Notds for Privilege," 25 , pp. 50-55.
Ravett, Abraham and Grahame Weinbren, "Raking Leaves: Photos, Drawings, Frame Blow-Ups, Working Notes, and Texts from Everything's for You ," 23/24 , pp. 118-27.
Reble, Jurgen, "Chemistry and the Alchemy of Color," 30/31 , pp. 13-17.
Recoder, Luis, "On Morgan Fisher's Lecture at the Guggenheim," 42 pp. 91-92.
Redottee, Hartmut, "A Kaiser Reconstructed," 30/31 , pp. 77-78.
Reisman, David, "In the Grip of the Lobster: Jack Smith Remembered," 23/24 , pp. 60-85.
Reisman, David, "Obituary for Beverly A. Conrad," 23/24 , p. 25.
Reisman, David, "Obituary for Delphine Seyrig," 25 , p. 76.
Rheuban, Joyce, "Films of John Knecht," 7/8/9 , pp. 242-47.
Rheuban, Joyce, "Secret Life: New Films by Hamburg Filmmakers," 13 , pp. 46-61.
Ridless, Robin,"Beyond the Real and the Imaginary: Chris Kraus's How to Shoot a Crime and Other Films," 19 , pp. 130-42.
Rodowick, David, "Modernism, Epistemology, and Politics," 16/17/18 , pp. 126-37.
Rotenberg, Tina, "Love's Refrain--Love's Tri-frain," 38 , pp. 75-78.
Rudavsky, Ondrej, "Ideas for The Wall or The Bridge," 25 , pp. 56-57.
Rumsby, Martin, "LEN LYE: A Biography by Roger Horrocks," 39/40 pp.111-120.
Ryan, Paul, "Al Robbins Was a Warrior Artist," 22 , pp. 8-12.

 
 

S

Sabatini, Arthur J., " ReViewing Robert Ashley's Music With Roots in the Aether, the first opera for television," 42 pp. 53-66.
Sachs, Lynne, "Script, Pages, Storyboards, and Artwork from The House of Science: A Museum of False Facts ," 25 , pp. 58-61.
Sachs, Stephan, "And Saw What Should Be Done," 30/31 , pp. 79.
Sanderson, Alister, "The Diary Cinema of Howard Guttenplan," 1 , pp. 107-20.
Sandusky, Sharon, "The Archaeology of Redemption: Toward Archival Film," 26 , pp. 2-25.
Savedoff, Barbara, "L Atalante, the Marriage of Music and Image," 23/24 , pp. 26-35.
Schenkel, Thelma, "The Man Who Could See Far," 12 , pp. 113-20.
Schneeman, Carolee, "...continue in this unknowable..." 41 pp. 77-79.
Schulman, Sarah, "A Thought about Leni Riefenstahl, Maya Deren, and Gay and Lesbian Film," 41 pp. 45-49.
Serra, M.M., "Flowers for Brakhage," 41 pp.89-90.
Shapiro, David, "An Interview with Ken Jacobs," 1 , pp. 121-28.
Sharrett, Christopher, "Brakhage's Dreamscape," 6 , pp. 43-50.
Sharrett, Christopher, "Brakhage's Scrapbook," 14/15 , pp. 23-27.
Sharrett, Christopher, "Epiphany for Modernism: Anti-Illusionism and Theatrical Tradition in Syberberg's Our Hitler ," 10/11 , pp. 141-57. 
Shedden, Jim, "Interview with Bruce Elder," 22 , pp. 98-115.
Sherman, Stuart, "16mm Postcards," 27 , pp. 28-34.
Simon, Bill, "A Completely Open Space: Michael Snow's La Région Centrale ," 4/5 , pp. 93-100. 
Simon, Bill, "'Reading' Zorns Lemma," 2 , pp. 38-49.
Simon, Bill, "Talking About Magellan: An Interview with Hollis Frampton," 7/8/9 , pp. 5-26.
Simon, Elena Pinto, "Robert Breer's LMNO," 4/5 , pp. 184-86.
Simon, John F., Jr.,"Building Process," 27 , pp. 37-45. 
Simon, Larry, "Music and Film: An Interview with Michael Nyman," 10/11 , pp. 223-34.
Simon, Larry, "Music and Film: An Interview with Philip Glass," 13 , pp. 133-39.
Singer, Ben, "Jeanne Dielman: Cinematic Interrogation and 'Amplification'," 22 , pp. 56-75.
Sitney, P. Adams, "Autobiography in Avant-Garde Film," 1 , pp. 60-105.
Sitney, P. Adams, "Robert Beavers: Observing and Directing Wingseed ," 38 .
Sitney, P. Adams, "Circles of Confusion," 14/15 , pp. 7-13.
Sitney, P. Adams, "A Letter," 7/8/9 , pp. 279-80.
Sitney, P. Adams, "Saugus Series," 16/17/18 , pp. 158-61.
Sobchack, Vivian, "Nostalgia for a Digital Object: Regrets on the Quickening of Quicktime," 34 , pp. 4-23.
Sobchack, Vivian, "Synthetic Vision: The Dialectical Imperative of Buñuel's Las Hurdes," 7/8/9 , pp. 140-50.
Solomon, Phil, "The Frame," 35/36 , pp. 121-136.
Solomon, Phil, "A Remembrace for Stan Brakhage," 41 pp. 90-92.
Sommer, Sally R.,"Robert Wilson's Video 50," 10/11 , pp. 107-10.
Sondheim, Alan, "Theses on the Inversion of the Cinema," 13 , pp. 7-11.
Sparshott, Francis, "Medium and Convention in Film and Video," 14/15 , pp. 72-88.
Stam, Robert, "Brazilian Avant-Garde Cinema from Limite to Red Light Bandit," 4/5 , pp. 33-42. 
Stam, Robert, "Hour of the Furnaces and the Two Avant Gardes," 7/8/9 , pp. 151-64.
Stam, Robert, "Jean-Luc Godard's Sauve Qui Peut (la Vie) ," 10/11 , pp. 194-99.
Stam, Robert,"LNumero Deux: Politics, Pornography and the Media," 3 , pp. 72-78.
Stam, Robert and Ismail Xavier, "Brazilian Avant Garde: Metacinema in the Tristes Tropiques," 6 , pp. 82-89.
Stephenson, Rob, "Interview with Trinh T. Minh-ha," 19 , pp. 122-29.
Sternberg, Barbara, "Editing and Script Notes for A Trilogy and The Waters are the Beginning and End of All Things ," 25 , pp. 63-65.
Stringer, Julian, "Serendipity into Style: The Queen Is Dead," 27 , pp. 2-14.
Sturken, Marita, "Interview with Robyn Brentano and Andrew Horn," 10/11 , pp. 55-60.
Swinson, James, "Jane Madsen's Hercules Road: The Flaneur and the Shaman," 35/36 , pp. 115-118.
Switzer, Judith, "The Animated Abstractions of Harry Smith," 6 , pp. 73-81.

 
 

T

Tafler, David, "Beyond Narrative: Notes Toward a Theory of InteractiveCinema," 20/21 , pp. 116-31.
Tartaglia, Jerry, "The Gay Sensibility in American Avant-Garde Film," 4/5 , pp. 53-58.
Tartaglia, Jerry, "The Making of Fin de Siecle (1989): A Film Journal," 25 , pp. 66-71.
Tartaglia, Jerry, "Notes from the Homo, Underground," 41 pp. 15-21.
Taubin, Amy, "And what is a fact anyway? (On a Tape by Martha Rosler)," 4/5 , pp. 59-63.
Taubin, Amy, "Not Reconciled," 16/17/18 , pp. 95-97.
Taubin, Amy, "Obituary for Alf Bold," 27 , p. 77.
Taubin, Amy, "The Whitney Biennial: Video," 13 , pp. 113-15.
Taubin, Amy and Grahame Weinbren, "STANDBY: An Interview with Rick Feist, On-Line Video Editor," 20/21 , pp. 135-48.
Taylor, Gregory, "Beyond Interpretation: The Lead Shoes as an Abstract Film," 25 , pp. 78-99.
Thompson, Kristin, "Eisenstein, Marshall, and Soviet Cinema," 14/15 , pp. 15-21.
Thompson, Kristin, "(Re)Discovering Charles Dekeukeleire," 7/8/9 , pp. 115-29.
Tritschler, Johannes C., "The Films of Klaus Telscher," 30/31 , pp. 53-57.
Tscherkassky, Peter, "Lord of the Frames: Kurt Kren," 35/36 , pp. 147-152.

 
 

V

Van Der Keuken, Johan, "From the World of a Small Businessman: The Mystique of the Camera," 22 , pp. 50-53.
Van Der Keuken, Johan, "Questions," 22 , pp. 40-49.
Van Lier, Miryam, "The Films of Karl Kels," 30/31 , pp. 19-23.
Vaughan, David,"Channels/Inserts: Cunningham and Atlas (Continued)," 12 , pp. 126-30.
Vaughan, David, "Locale: The Collaboration of Merce Cunningham and Charles Atlas," 10/11 , pp. 18-22.
Vieira, Joao Luiz, "Tropical Disease: Towards Development of an Alternative Cinema in Venezuela," 10/11 , pp. 171-75.
Vigo, Jean, "Toward a Social Cinema," trans. Stuart Liebman, 1 , pp. 21-24.
Voorhees, Barbara Jaspersen, "The Endless Loop of the Human Continuum: Dominic Angerame's Deconstruction Sight ," 25 ,pp. 108-13.

 
 

W

Wagner, Sokhi, "Film Photographs," 25 , pp. 72-75.
Waldor, Marc, "Two Films by Dana Gordon," 7/8/9 , pp. 260-64.
Walworth, Dan, "A Partial Report from the 34th International Berlin Film Festival," 14/15 , pp. 165-72. 
Ward, Melinda,"Independent Film in Minneapolis/St. Paul," 4/5 , pp. 144-52.
Wees, William C., "Visual Perception, Medium Specificity, and the Metaphor of the Camera Eye," 19 , pp. 12-21.
Weinbren, Grahame, "Film Space: An Outline Study," 16/17/18 , pp. 328-35.
Weinbren, Grahame, "In the Ocean of Streams of Story," 28 , pp. 15-30.
Weinbren, Grahame, "Six Filmmakers and an Ideal of Composition," 3 , pp. 39-54.
Weinbren, Grahame, "Voicestreams with Michael Century," 35/36 , pp. 137-141.
Weinbren, Grahame and Christine Noll Brinckmann, "The O'Neill Landscape: Four Scenes from Foregrounds ," 4/5 , pp. 101-16
Weinbren, Grahame and Christine Noll Brinckmann, "Selective Transparencies: Pat O'Neill's Recent Films," 6 , pp. 51-72.
Weinbren, Grahame and Christine Noll Brinckmann, "An Instant of Representation in a Film by Vincent Grenier," 7/8/9 , pp. 273-78.
Weinbren, Grahame and Tony Pipolo, eds., "Montage of Voices: Twenty Years of Filmmakers' Statements," 16/17/18 , pp. 250-73.
Winslow, Kirk, "Intergalactic Trance-Migration: G. J. Markopoulos's Twice a Man (1963) Visited in a Projected Eniaios Cycle (1948-(1976-1990)-200_)" 32/33 .
Wollen, Peter, "Landscape, Meteorology, and Chris Welsby," 16/17/18 , pp. 208-11.
Wright, Richard, "It's Just Like Art," 28 , pp. 49-61.

 
 

Y

Youngblood, Gene, "Metaphysical Structuralism: The Videotapes of Bill Viola," 20/21 , pp. 80-114. 

 

 Z

Zeitlin, "Jim Campbell: Working in the Open Sphere," 37 , pp. 17-24.
Zummer, Thomas, "Citing/Laughter: Three Video Works by Ellen Zweig," 42 pp. 33-51.
Zweig, Ellen, "Voice Box," 39/40 pp. 133-136.